In the lyric, I'm referencing the cries of ambulance sirens. It's interesting because the figure of the motocross rider is gonna feature throughout the entire narrative of the campaign. And I love the interaction between our two characters because I'm so ethereal and air bound and soft and emotional, and Harley's this petrified, mechanical, potentially corpse… until he's excavated from the earth and revived by music. There's the motocross biker that Harley plays, and then there's this archangel siren creature that I play. What did you guys get into? I saw there were harnesses and a rain machine.Ĭaroline: There are two figures in the video. Danny gave me some parts, but then we finished it remote.Ĭaroline Polachek: I never got to be in a room with you working on this track, because I started it with Dan, and then you and Dan worked on it and… passed it to me, and the circle was completed. Harley: I've been on a speeding train for many years and COVID put it to a halt, and I was able to get off and focus and live life like a normal human for a bit, which… gave me space to work on these tracks. But I suppose in the long run, it's good that you got to go back to Australia and make this record.
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